Tuesday, September 16, 2025 at 8:00 PM to 11:00 PM
Zebulon, Los Angeles
**CARDINALS** Tracksuited, denim and leather clad and hidden behind wrap-around sunglasses, the Cork five-piece, Cardinals, look like they’ve just stepped out of Warhol's factory in Midtown Manhattan rather than the picturesque village of Kinsale, and yet to live in a Cardinals song is to be surrounded by a grainy, monochromatic landscape that holds both a gritty rock and roll nostalgia and the rolling hills of Ireland’s traditional musical past. Their Pogues-leaning, shanty-esque verses swoon into room-filling chorus’, and often cloak dark and brooding tales of love in gentle first-person conversational narratives. Their critically acclaimed debut EP Cardinals is an eclectic gothic amalgam of shoegaze, pop, Irish trad folk, and rock which incorporates 60s Wall of Sound and poetry inflected punk. **MILLY** Originally the solo project of Brendan Dyer, his relocation from Connecticut to Los Angeles saw the band expand to include collaborator Yarden Erez. After signing to Dangerbird Records, 2019 saw the band on tour with Swervedriver & DIIV, and in 2021 they released their acclaimed EP Wish Goes On. To understand Eternal Ring, you have to go back to Dyer’s childhood. Learning guitar and drums from his uncle, a musician, from the age of ten, Dyer was one of the only young people in his rural Connecticut town interested in anything other than sports and other stereotypical markers of American life. Naturally, Dyer began to gravitate towards emo — the closest thing many teens have to outsider art — as an art form he could identify with, bands like Hawthorne Heights subconsciously laying the groundwork for the music he would make as an adult. “It probably only lasted a year or two that I was interested in that sort of thing, but now I feel like it’s become a thing in my life where it’s like, full circle,” he says. “When we were writing this album, and touring before writing this album, I was reconnecting with a lot of the music that I was listening to in my youth and realizing that there was a reason why I liked this music so much.”