Monday, October 27, 2025 at 8:00 PM
Redcat, Los Angeles
*Unfolding Visions *presents recent film, video, and moving image work from CalArts faculty working across different mediums and approaches: Rebecca Baron and Douglas Goodwin, Janie Geiser, Annapurna Kumar, Yaloo Lim, Wendell McShine, Julie Murray, Charlotte Pryce, and Abigail Severance. Rebecca Baron and Douglas Goodwin’s *Nearest Neighbor* (2023) stages a timely inquiry into the relationship between technology, humans, and consciousness. Janie Geiser’s *Sudden Tourniquet *(2025) questions how we see when the boundaries between scientific representation and Cartesian understandings of our humanity break down. Annapurna Kumar creates a micro-speculative history on consumerist image-making in *Mirror Products Catalog *(2023). Yaloo Lim’s *Shininho Docking* (2025) consolidates familial and communal history into a story of an elder pirate whose existence questions sentience. Wendell McShine’s observational film, *XING PED *(2025)*,* is both about his new home and his internal world. In *ESTUARY (tidal) (ebb) *(2025), filmmaker Julie Murray creates space to understand our ways of seeing. Charlotte Pryce approaches Anthropocenic uncertainty with a metaphorical approach in *The Gloaming *(2025). Abigail Severance’s film *YOU RECALL THE NIGHT TRAIN* (2025) contends with our apocalyptic anxieties with intimacy and care. *This program includes an introduction by Program in Film & Video faculty Irina Leimbacher and a post-screening conversation with film programmer Jheanelle Brown and the filmmakers.* *Presented in English and Portuguese with English subtitles. * *Please note: *Unfolding Visions *contains strobe lights and flashing lights. *